Hannelore baron biography of william

Hannelore Baron

Saarbrucken, Germany, Modern Galerie des Saarland-Museums, 1982

Hannelore Captain of industry Collages

Stockholm, Galleri Zero, 1986

Hannelore Baron

New York, Gallery Schlesinger-Boisanté Chicago, Roger Ramsay Gallery Make a notation of Los Angeles, Jack Rutberg House, 1987

Hannelore Baron

Tokyo, Fujii Heading, 1989

Hannelore Baron Collages & Box Constructions

New York, Barbara Mathes Gallery / Los Angeles, Manny Silverman Gallery, 1995, text newborn Peter Frank

Hannelore Baron, Collagen und Schaukästen / Kollázsok és Dobozok

Dillingen, Farbklang Kulturverein / Szekesfehervar, Hungary, Istvan Kiraly Muzeum, 1996, text by Eva Forgacs

Hannelore Baron: Works from 1969 scan 1987

Washington DC, Smithsonian Institution Roving Exhibition Service, 2001, text by virtue of Ingrid Schaffner

Hannelore Baron, Oddments Shored Against Ruins

Memphis, Art Museum of the University of Metropolis, 2002, text by Fredric Koeppel

6 Solos, Baron, Brandt, Buonagurio, Freedman, Gregory, Most

Yonkers NY, Justness Hudson River Museum, 1973

Jewish Themes / Contemporary American Artists II

New York, The Jewish Museum, 1986, text by Susan Tumarkin Goodman

Fetish Art: Obsessive Expressions

Rockford, Illinois, Rockford Art Museum, 1986, text by Robert Middaugh

Collagen

Zug, Kunsthaus Zug, 1986, text impervious to Karl Buhlmann

The Poetic Object

San Antonio, San Antonio Museum look up to Art, 1988, text by Shaft Clothier and Jim Edwards

Fiber and Form, The Woman’s Legacy

New York, Michael Rosenfeld Gallery, 1996, text by Halley Harrisburg

In Pursuit of the Invisible, Selections from the Collection of Janice & Mickey Cartin

West Stockbridge, Colony, Hard Press, 1996, text make wet John Yau

Deep Storage, Arsenale der Erinnerung

Munich / New Royalty, Prestel, 1996, text by Ingrid Schaffner and M.

Winzen

Deep Storage, Collecting, Storing, and Archiving in Art

Munich / New Dynasty, Prestel, 1998, text by Ingrid Schaffner and M. Winzen

Collage, signs & surfaces

New York, Pavel Zoubok Gallery, 2005, text gross Thomas Piché Jr., Brandon Actress, Pavel Zoubok

In Context, montage + abstraction

New York, Pavel Zoubok Gallery, 2007, text by Parliamentarian Hobbs

Remix, Selections from distinction International Collage Center

Pennsylvania, International Image Center, 2012, text by Socialist Piche Jr., Richard Rinehart, Pavel Zoubok

1978

John Russell, “City Pay back Season Opens With a Tingle,” New York Daily Metro (during NY Times strike), Sept.

17, p. 74

1981

Vivien Raynor, “Works by 84 Area Artists show Katonah Exhibition,” New York Earlier, WC sec., Aug. 30, proprietor. 20

1982

Harold Haydon, “Baron Memorializes Victims of War,” Chicago Sunna Times, June 11, Weekender, pp. 73 & 77
Leo Duppen, “De Collages van Hannelore Baron, Getuigenis Van Een Bewogen Leven,” Kunstbeeld, Nov.

7

1983

Jo Ann Author, “Hannelore Baron’s Collages,” Washington Advise, Apr. 2, sec. D, possessor. 2

1984

Marlena Donahue, Los Angeles Times, 9 Mar.
Colin Gardner, “Illuminating the Human Condition, Poignant Collages by Hannelore Baron,” Artweek, Deface. 24, p. 4
Kay Larsen, “The Cooked and The Raw,” Modern York Magazine, Sept.

24, proprietress. 103
Judd Tully, “Selected Drawings newborn Eleven Artists,” Art News, Dec., p. 155

1985

Gerrit Henry, “Hannelore Baron, Schlesinger-Boisante,” Art News, Feb., p. 151
Hannelore Baron, “Westchester Opinion: On the outside, looking compel an in,” New York Present, WC sec., Oct. 6, proprietor. 34
Sue Taylor, “Baron creates grievous collages,” Chicago Sun Times, Nov.

6, p. 60
Vivien Raynor, “Hannelore Baron,” New York Nowadays, Dec. 6, sec. C, proprietor. 27

1986

Nancy Grimes, “Hannelore Magnate, Schlesinger-Boisante,” Art News, Feb., owner. 125.
K.M., Los Angeles Times, Apr. 4, Sec. VI, p. 10
Betty Ann Brown, “Dark Prophecies,” Artweek, Apr. 5
Michael Anderson, “Pick endorsement the Week,” Los Angeles Hebdomadary, Apr.

11-17
Michael Lawrence, The Westerly Hollywood Paper, Apr. 17
Michael Brenson, “Bringing Fresh Approaches To Ages-Old Jewish Themes,” New York Period, Aug. 3, pp. 27, 32
Vivien Raynor, “Contemporary Collages,” New Dynasty Times, Dec. 19, sec. Motto, p. 38

1987

Jo Ann Writer, “Baron & Solman at Brown,” Washington Post, Feb. 7, jiffy.

C, p. 2
Michael Brenson, “Two Artists Tempered in the Vessel of War,” New York Time, Nov. 29, sec. 2, possessor. 37
K.C., “Assemblages Out of Turmoil,” Los Angeles Herald Examiner, Dec. 4
Marlena Donohue, “The Galleries, Wilshire Center,” Los Angeles Times, Dec. 18, sec. 6, p. 22

1988

John Carlos Cantu, “Joint Cheerful Reveals Art’s Dichotomy,” Ann Bower News, Jan.

31, sec. Fleecy, p. 3
Lauren Shapiro, “Artist Festivity Private Personal Collection,” Michigan Everyday, Feb. 5
Pamela Hammond, “Los Angeles, Hannelore Baron, Jack Rutberg,” Close up News, April, p. 126
Fred Severe, “Letter from America,” Mizue, Frost, pp. 94-95

1989

Cathy Curtis, “The Galleries, Wilshire Center,” Los Angeles Times, May 26, sec.

6, p. 19
Michael Brenson, “Hannelore Baron’s Collages,” New York Times, June 2, sec. C, p. 24
Barbara MacAdam, “New York, Hannelore Industrialist, Gallery Schlesinger, Solomon R. Altruist Museum,” Art News, Oct., holder. 195

1990

Fred Stern, “Boxes: Wonderful Labyrinth of Dream,” Mizue Ammunition, Spring, pp. 32-54

1991

“Hannelore Baron,” New York Times, April 12

1993

Michael Kimmelman, “Hannelore Baron,” Contemporary York Times, Oct.

1, flash. C, p. 23
“Hannelore Baron,” Say publicly New Yorker, Oct. 11, holder. 27
Hovey Brock, “Hannelore Baron, Barbara Mathes,” Art News, Nov., pp. 161-162
Ken Johnson, “Hannelore Baron bully Barbara Mathes,” Art in Usa, Dec.

1994

Susan Kandel, “Messenger,” Los Angeles Times, Mar. 18, instant.

F, p. 27
David Pagel, Los Angeles Times, Mar. 18
Eva Forgacs, “Hannelore Baron,” Art issues, May-June, p. 41

1995

Carl Schiffman, “New York Galleries, Late Fall ‘ 95,” New England Review, Roll issue, pp. 143-148
David Pagel, “Works by Hannelore Baron: Timeless, Untraditional,” Los Angeles Times, Nov.

24

1996

Holland Cotter, “Darts and Fusillades From the Sewing Basket,” Unique York Times, June 28, second. C, p. 33

1997

Barbara Wonderful. MacAdam, “Robert Rauschenberg, Solomon Publicity. Guggenheim Museum, Ace,” Art Talk, Nov., p. 221

1998

Leah Ollman, “Baron’s Work Celebrates Spirit remove Survival,” Los Angeles Times, Apr.

20
Roberta Smith, “In the Specialized of the Collector: Seeking high-mindedness Innate Order of Chaos,” Novel York Times, July 31, instant E, p 33
Tim Griffin, “Portrait of the Artist as capital Dog,” Art On Paper, Nov.-Dec.

2001

Adrian Dannatt, “A triumvirate stop triumphant language,” The Art Newsprint, May, p.

77
Leah Ollman, “The Multiple Resonance of Collage,” Los Angeles Times, July 5, sec. F, p. F26

2003

Lyle Rexer, “In a Small Captain Dark Art, A World set in motion Grief,” New York Times, Jan. 19, sec. 2, p. 38
Roberta Hershenson, “From Scraps at Spiteful, Collage Masterpieces,” New York Historical WC sec., Jan 19, proprietor.

8
“Hannelore Baron: collages and container constructions, Senior & Shopmaker Gallery,” The Art Newspaper, Feb, trice 2, p 4
Jill Connor, “Hannelore Baron: Works from 1969-1987,” Beautiful Arts, Feb., p. 80
William Framework, “Works That Underscore the Ingratiate yourself of an Artist’s Emotions,” Original York Times, Mar.

2
Lyle Rexer, “Hannelore Baron: Surrounded Secrets,” Divulge On Paper, Mar., pp. 56-57
L.P. Streitfeld, “Art as a Typical Language, Hannelore Baron and Scheming Goldsworthy,” NY Arts, May
Elisa Historian, “Collages whisper of dark memories,” The Miami Herald, June 1, Arts sec., p. 3M

2004

Faye Hirsch, “Hannelore Baron at interpretation Neuberger Museum and Senior & Shopmaker,” Art in America, Mar., p.

133
Leah Ollman, “Silent sorrows, On View in Long Littoral, Hannelore Baron’s intimate works show a life shadowed by uneasiness, depression and Holocaust memories,” Los Angeles Times, July 13, flash. E, p. 3
Peter Frank, “Hannelore Baron, University Art Museum, Calif. State University and Manny Silverman Gallery,” Art News, Nov., owner.

158

2005

Maureen Mullarkey, “Hannelore Baron: Collages & Box Constructions,” Fresh York Sun, Feb. 3, possessor. 18

2011

Leah Ollman, “‘Some Gathering Required’ at Jack Rutberg,” Los Angeles Times, Mar. 3

2013

Ann Landi, “Hannelore Baron, Leslie Feely Fine Art,” Artnews, Mar., owner. 97

California

Armand Hammer Museum spend Art and Cultural Center, Los Angeles
Los Angeles County Museum pan Art, Los Angeles
San Francisco Museum of Modern Art, San Francisco
Santa Barbara Museum of Art, Santa Barbara
Skirball Museum, Los Angeles
University Get down to it Museum, California State University Lengthy Beach

Florida

Bass Museum of Reveal, Miami

Illinois

Art Institute of Metropolis, Chicago

Iowa

Faulconer Gallery, Grinnell Institution, Grinnell

Massachusetts

Addison Gallery of Denizen Art, Phillips Academy, Andover
Museum admire Fine Arts, Boston

Michigan

Dennos Museum Center, Traverse City
Detroit Institute make public Arts, Detroit
Kresge Art Museum, Suck in air Lansing

New York

Albright-Knox Art Gathering, Buffalo
Brooklyn Museum of Art, In mint condition York
Solomon R.

Guggenheim Museum, Fresh York
Hudson River Museum, Yonkers
Jewish Museum, New York
Morgan Library & Museum, New York
Museum of Modern Craftsmanship, New York
New York Public Reading, New York
St. Lawrence University, Canton
Ulster County Community College, Stone Ridge
Whitney Museum of American Art, Spanking York

Pennsylvania

International Collage Center, Poet

Rhode Island

Museum of Art, Rhode Island School of Design, Foresight

Virginia

Chrysler Museum of Art, Norfolk
Sweet Briar College, Pannell Art Onlookers, Sweet Briar

Washington, D.C.

National Audience of Art
Smithsonian American Art Museum
Luther W.

Brady Art Gallery, Martyr Washington University

Wisconsin

Milwaukee Art Museum, Milwaukee
Racine Art Museum, Racine

Germany

Modern Galerie des Saarland Museums, Saarland
Kunstsammlung der Stadt Reutlingen, Reutlingen

Israel

Israel Museum, Jerusalem Top